Novation SUMMIT

Novation’s flagship two-part 16-voice 61-key polyphonic synthesiser.

23 999 kr 24 månaders räntefri delbetalning: 1043 kr/månad

  • Artikelnr: 0553028155
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Novation’s
flagship two-part 16-voice 61-key polyphonic synthesiser

Summit’s
digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis,
and feed into genuine analogue dual filters, distortion and VCAs. The
multitimbral engine enables merging and combining of two complete and
independent patches, while up to 16 simultaneous voices deliver enough harmonic
depth for even the richest of pads.

The best
sounding synthesiser Novation has ever made

Summit
doubles the power of Peak’s digital New Oxford Oscillators up to 16 voices and
two parts, and adds a wealth of new features and a premium-quality five-octave
keyboard. A synth much greater than the sum of its parts, it gives the serious
producer or performer everything they need to design and play stunning basses,
leads, arps, pads, effects and beyond.

Totally tactile
sound design

Summit
takes Peak’s architecture and workflow to new heights, with a swathe of extra
front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual
filters with six LP/HP/BP combinations; audio input for processing external
sources with the onboard effects; and auxiliary audio outputs.

Analogue
where it matters

The true
stereo analogue signal path comprises dual analogue multimode filters, analogue
VCAs and three stages of analogue distortion – pre- and post-filter, and post-VCA.
With roots in the legendary OSCar, via Bass Station II, Summit’s analogue
credentials are truly impressive.

Two Peaks
in one synth – and then some:

The
16-voice, multitimbral engine combines two simultaneous patches. Split or stack
them for keyboard-divided or layered sounds, or switch the entire synth between
two separate and independently controlled setups, perhaps using one as an
effects processor for an external input source. Also, Summit can use all your
Peak patches

Our best
keyboard ever

Five-octave,
semi-weighted, velocity-sensitive keyboard with aftertouch – the same
premium-quality keybed as introduced with our SL MkIII controller keyboard.

New Oxford
educated

Digital New
Oxford Oscillators are capable of subtractive, FM and wavetable synthesis.
Waveforms are generated directly on the FPGA (Field Programmable Gate Array)
chip, using 24MHz bitstream processing; and adjustable drift and divergence
emulate the inherent and often desirable instability of analogue circuits.

True
analogue filters and distortion

The New
Oxford Oscillators output to true analogue filters, with origins in the classic
OSCar synth, and three stages of analogue distortion give you ample saturation
options.

Dual
filters

Summit’s
dual filter is switchable between six paired combinations of low-pass,
high-pass and band-pass modes at 12dB/octave, or any single mode at
24dB/octave, for a broad range of sonic possibilities.

Hands-on
sound design

Packed with
modulation sources for deep sound design – LFOs, envelopes, Animate buttons and
more. Extended controls see FM parameters, envelope loop switches and LFOs 3/4
moved from Peak’s menu system to the front panel, for easy programming and
tweaking.

Audio in
and auxiliary audio out

Hook up
external instruments for processing with Summit’s onboard effects, while using
it as a synth at the same time.

Powerful
effects

Onboard
reverb, chorus and delay effects are hosted on the FPGA. They’re also
controlled directly from the front panel, and available as modulation targets
in the dedicated FX Mod Matrix.

Synth
Engine

16 note
polyphony (dependent on voices used per note)

2-part-timbral

Layered,
Split, Dual Bi-Timbral Modes

5 Voice
Modes – Mono, MonoLG, Mono2, Poly, Poly2

Per Voice

3
oscillators

1 noise
generator with HP filter control

1 ring
modulator

2 LFOs

1 amp
envelope and 2 mod envelopes (ADHSR + looping)

1 filter

Waveforms
Include

Sine, tri,
sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row

Filter

1 state
variable OTA filter per voice

12/24dB
slope

Low-pass /
band-pass / high-pass / dual filter (separation of each 12dB filters)

dual
filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP,
BP + BP, and HP + HP

Pre-filter
overdrive

Post-filter
distortion

Modulation

16
modulation slots per patch

2 sources
per destination per slot

Mod Sources

Direct
(depth)

Modulation
wheel

Aftertouch
(polyphonic and channel AT)

Expression
pedal 1

Expression
pedal 2

Keyboard
velocity

LFO1
positive

LFO1
bi-polar

LFO2
positive

LFO2
bi-polar

Amp
envelope

Mod
envelope 1

Mod
envelope 2

Animate 1

Animate 2

CV mod
input bi-polar

Bend Up

Bend Down

Mod
Destinations

Oscillator
1-3 frequency, v-sync level, shape amount and level

Noise
source level

Ring
modulator output level

Overall
synth output level

Filter
drive, distortion, cut-off frequency and resonance

LFO 1 and 2
frequency

Amp env /
mod env 1 / mod env 2 attack, decay and release

FM Osc 1
-> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1

Osc 3 ->
filter cutoff frequency

Noise ->
filter cutoff frequencyEffects

FX are per
part

Analogue
distortion

3 chorus
types

Delay with
16 types of delay sync, LP and HP damping, slew and stereo

FX Mod
Matrix Source

Direct
(depth)

Mod wheel

Aftertouch

Expression
pedal 1

Expression/breath
pedal 2

Velocity

Keyboard

LFO 1 +/-

LFO 2 +/-

LFO 3 +/-

LFO 4 +/-

Amp
envelope

Mod
envelope 1 & 2

Animate 1
& 2

CV +/-

Bendwheel
+/-

Bend up

Bend down

FX Mod
Matrix Destinations

Distortion
level

Chorus
level

Chorus rate

Chorus
depth

Chorus
feedback

Delay level

Delay time

Delay
feedback

Reverb
level

Reverb time

Reverb low
pass

Reverb high
pass

Misc.

FM controls
on front panel

Global LFO
3 & 4

Arpeggiator
with key latch – 33 patterns

Patch
storage – up to 512 on hardware (ships with 256 factory patches)

All knobs
(excl. volume), sliders and most buttons transmit and receive MIDI cc commands
for external control and mapping

Microtuning
with Scala table import and table tuning creation

Manual mode

Multi pot
mode: Relative, Pot pick-up, Snap

Product
Hardware Specifications

50 control
knobs

8 45mm
sliders

1 volume
knob

1 data
encoder knob

Rubberised
knob caps with spun metal discs

55 function
buttons

2 Animate
buttons plus hold button

OLED display

Kensington
Lock

Power
switch

IEC power
supply connector

USB socket
for system (MIDI comms only, no bus power)

MIDI In /
Out / Thru

2 1/4″
jack sockets for continuous or switched pedals

1 3.5mm
jack socket for CV in

2 1/4″
jack sockets for left and right outputs

2 1/4″
jack sockets for left and right auxiliary outputs

2 1/4″
jack sockets for left and right inputs

1/4″
jack socket for headphone output

Metal
chassis with American walnut wooden end cheeks

Metal magnetic inset end pieces